Page 62

UNAM Foreign Rights 2015

Folio 001 El Siluetaz o. En la mirada de Eduardo Gil In Eduardo Gil’s Eyes The ‘Siluetazo’ was a politico-aesthetic action that succeeded in symbolizing the thousands people who had been disappeared during the military dictatorship in Argentina. Three visual artists, Rodolfo Aguerreberry, Julio Flores, and Guillermo Kexel, conceived the action, and brought their proposal to the Mothers and Grandmothers of the Plaza de Mayo, as well as different social and human rights organizations. Today, thirty years after the ‘siluetazo’ and thanks to the work of artists like Eduardo Gil, who actively participated in the action, we have access to images that make it possible to address this historic event. The question of how to represent the unrepresentable, how to make visible the presence of an absence, is lodged at the heart of debates about the paradoxes of representation. Eduardo Gil (Buenos Aires, Argentina, 1948). Visual artist and photographer. Since 1981, he has participated in individual exhibitions in Latin America, Europe, the U.S. and Australia. His works belongs to the collections of several museums, such as the Museo de Arte Latinoamericano de Buenos Aires (malba), the Museo de Arte Moderno (mamba), and the Museo Nacional de Bellas Artes, Buenos Aires; the Museum of Fine Arts, Houston; the Museu de Arte Moderna do Rio de Janeiro; the Brooklyn Museum, New York; the Museo de Bellas Artes, Caracas; the Museo de Arte de Lima; the Bibliothèque nationale de France; the Casa de las Américas, Havana; and the Instituto Valenciano de Arte Moderno, among others. Since 1986, he has also curated dozens of exhibitions, both in Argentina and abroad. Other publications: El Siluetazo. In Eduardo Gil’s Eyes, Revista Iris, 1994 Artist: Eduardo Gil Essays by Flor Batiti Editors: muac-unam Editorial Coordinator: Ekaterina Alvarez Romero Language: Spanish and English First edition, 2013 Extension: 32 pages Format: 8.66 in x 6.3 in MSRP: $4 USD ISBN: 978-607-02-4541-1 Target: University community, academics and public interested in contemporary art. 60 www.libros.unam.mx Contemporary Art


UNAM Foreign Rights 2015
To see the actual publication please follow the link above