Folio 006 Paréntesis Parenthesis Luis Naón The composition playing by Luis Naón at the Espacio de Experimentación Sonora makes use of three interwoven elements that mutually interpret each other: the voice of Juan Gelman, reading his poems; the cellist Eric Picard, performing Gelmanianas; and commentaries and parentheses, which are sometimes pure sounds, fabricated either with external, hardly recognizable materials or through treatments and declensions of the voice and instrument. Luis Naón (La Plata, Argentina, 1961). Began studying music at the Universidad Nacional de La Plata and continued his studies at the Universidad Católica Argentina. Committed to composition and performing, Luis Naón has been professor of Composition and New Technologies at the Conservatoire National Supérieur de Musique de Paris since 1991, and at the Haute École de Musique de Genève since 2006. From 2003 to 2008, he was professor of Composition at the Escola Superior de Música de Catalunya. He received prizes from the unesco Tribune Internationale de Compositeurs in 1990 and 1996, and has also received the Trinac Prize from the International Music Council and the Olympia Composition Prize, among others. Naón collaborates with different ensembles and institutions, including the French Ministry of Culture, the Teatro Colón (Buenos Aires), among others. Other publications: Naón, Luis, Urbana: un cycle d’?uvres en réseau,2010 Artist: Luis Naón Authors: Juan Gelman, Luis Naón y Manuel Rocha Iturbide Editors: muac-unam Editorial Coordination: Ekaterina Alvarez Romero Language: Spanish and english First edition, 2013 Extension: 48 pages Format: 8.66 in x 6.3 in MSRP: $6.65 USD ISBN: 978-607-02-4764-4 Target: University community, academics and interested public in contemporary art. 65 MUAC UNAM Foreign Rights 2015
UNAM Foreign Rights 2015
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