Folio 018 Los hablantes The Speakers Verónica Gerber Bicecci The South Outdoors is a curatorial program of young artists, the starting point of which is the idea of the interstice as a fissure that mediates between two parts of a single body. It operates out of the possibility of linking the inside and outside of the museum, and thereby considers artistic interventions to happen on terraces, patios, and hallways. They start off from an open question, which serves as a trigger for the projects to be carried out: how, in contemporary art practice, is it possible that this bordering, residual condition take place? With this initiative, the Museo Universitario Arte Contemporáneo seeks to generate a politics of visibility and inclusion of emergent cultural production, with the aim of positing new flows of exchange between local and external scenes. Verónica Gerber Bicecci (Mexico City, 1981). Visual artist and writer. She makes visual pieces that are texts and texts that are visual pieces. Her projects explore the infinitesimal trails of things that can’t be heard or seen. Her book Mudanza Moving Out (2010, Ed. Auieo) narrates the transformation of five writers into visual artists. Her work has been shown in both individual and collective exhibitions at the Museo de la Ciudad de México, Casa Vecina, Museo Experimental el Eco, and Centro Cultural de España, among others. She received her bacherlor’s degree in visual arts from the enpeg “La Esmeralda” and a master degree in art history by the unam. Other publications: Gerber Bicecci, Verónica, Homesick, 2007 Artist: Verónica Gerber Authors: Amanda de la Garza, Verónica Gerber Bicecci Editors: muac-unam with the support of Museo Amparo, Puebla Editorial Coordinator: Ekaterina Alvarez Romero Language: Spanish and English First edition, 2014 Extension: 63 pages Format: 8.66 in x 6.3 in MSRP: $5.95 USD ISBN: 978-607-02-5512-0 Target: University community, academics and interested public in contemporary art. 77 MUAC UNAM Foreign Rights 2015
UNAM Foreign Rights 2015
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