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UNAM Foreign Rights 2015

90 www.libwrwosw..ulnibamro.sm.uxnam.mx Folio 030 Jeremy Deller. El ideal infinitam ente var iab le de lo popular The Infinitely Variable Ideal of the Popular Jeremy Deller (London, 1966). Lives and works in London. Studied Art History at the University of London’s Courtauld Institute of Art. In 2004 he was awarded the Turner Prize, and in 2010 he was decorated with the Albert Medal from the Royal Society of Arts. Although he works with a variety of media, including video, sculpture, and graphic art, his work has emphasized collaborative projects, reenactments, and public art, through which he has reflected on popular culture in postindustrial England. His most important projects include: Acid Brass, Folk Archive (in collaboration with Alan Kane), The Battle of Orgreave, Procession and Sacrilege. Some of his most outstanding exhibitions are: English Magic for the British Pavilion at the 55th Venice Biennale, the retrospective Joy in People, Hayward Gallery, among others. Other publications: Jeremy Deller, It Is What It Is. Conversations about Iraq, Creative Time Books, 2009 Jeremy Deller, All that is solid melts into air, Hayward Publishing, 2013 Jeremy Deller, English Magic (Venice Biennale), Biennale di Venezia, British Pavilion, 2013 Artist: Jermy Deller Authors: Dawn Ades, Jeremy Deller, Hal Foster, Cuauhtémoc Medina, Ferran Barenblit Editors: muac-unam / CA2M Editorial Coordinator: Ekaterina Alvarez Romero Language: Spanish and English First edition, 2015 Extension: 144 pages Format: 8.66 in x 6.3 in MSRP: $7.95 USD ISBN: 978-84-451-3506-8 Target: University community, academics and interested public in contemporary art. Drawing on intuition, humor and affect, Jeremy Deller has explored the ethos of the popular English culture, that is, the manifestations of the social imagination in the frame of a post-industrial capitalist society. The exhibition Jeremy Deller: The Infinitely Variable Ideal of the Popular proposes an overview of his work from the past few decades in order to delve into the way in which the artist has constructed scenarios, interventions and images that interrogate the possibilities of culture and collective creation today. Contemporary Art


UNAM Foreign Rights 2015
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