92 www.libwrwosw..ulnibamro.sm.uxnam.mx Folio 032 William Kentridge. Fortuna William Kentridge (Johannesburg, 1955) Lives and works in Johannesburg. He studied Political Science and African Studies at the University of Johannesburg, previous his practice of visual arts at the Johannesburg Art Foundation. During this period, he devoted himself to design and theater, and acted in various productions. His involvement in theater and opera runs through his entire oeuvre and informs the dramatic and narrative character of his artistic production, as well as his interest in reinventing the media of drawing, sculpture, printmaking, performance and film into hybrid languages. Other publications: William Kentridge, 2nd Hand Reading, Fourthwall Books, 2014 Judith B. Hecker, William Kentridge. William Kentridge: Trace, The Museum of Modern Art of New York, 2010 William Kendtridge, Six Drawing Lessons, The Charles Eliot Norton Lectures, 2014 Lilian Tone, Kate McKrickard, William Kentridge, William Kentridge: Fortuna, Thames and Hudson, 2013 Lilian Tone, Kate McKrickard, William Kentridge, William Kentridge: Fortuna, Editorial Planeta, 2014 Artist: William Kentridge Authors: Néstor García Canclini, Amanda de la Garza, Lilian Tone Editors: muac-unam / Museo Amparo, Puebla, México Editorial Coordinator: Ekaterina Alvarez Romero Language: Spanish and English First edition, 2015 Format: 8.66 in x 6.3 in MSRP: $10.60 USD ISBN: 978-607-02-6496-2 Target: University community, academics and interested public in contemporary art. Over the course of his career, William Kentridge (Johannesburg, 1955) has created a body of work in which traditional media such as drawing, etching and stop motion animation become material with which to question the bases of visual representation in modernity, the relationship between image and narrative, and the nature of the cinematic. The exhibition William Kentridge: Fortune reconstructs and displays the different paths taken by the artist in the process of forming a singular visual grammar, in which the artist’s subjectivity is inextricable from the recent history of South Africa. Contemporary Art
UNAM Foreign Rights 2015
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